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i'd rather watch the fat kid dance - writings from contemporary performance

In 2005, I saw a show at Performance Space 122 that changed the way I encounter art. It was a complete failure of a show, just utterly terrible. Everyone who saw it agreed about this fact. It was shockingly bad. And yet no one walked out in the middle. Perhaps it was because we have all been trained into docile politically correct robots, or perhaps it was because every once in a while he would shine the lights in our eyes and look out at us, as if to say - "I know you hate this, but I am trying my damnedest here." And it was clear that he was in fact putting everything he had into it.

Anyway, for some unknown reason I found myself in the weeks after asking after every show I saw: "Would I rather watch the fat kid dance?"
And more often than not the answer surprised me: "Yes."
Which led me to also ask the obvious question: "Why?"

The Fat Kid aesthetic crticism and challenges to the field posts try to "dance" this question.
The Fat Kid practical advice to the field, notes from the field, and advocacy writings posts try to offer tools that can help other artists to dance more.  
Read the blog and sign up for the RSS feed: http://idratherwatchthefatkiddance.blogspot.com/

 

other longer form writing, papers and such activity....

2009

Lost Boxes:Landscape Plays and Right Angled Parallelipipeds - excerpts
Presented: Sheldon Scheps Talk, Columbia University, February 2009

2008

Between the Black Box and the White Cube  (pdf)
Published: PRELUDE 2008, Dramaturgical Essay, September 2008

Flesh Under the Influence: Material Knowing and Dances of Death
Presented: From Fieldwork to Text, Columbia Univeristy, May 2008

2007

"Untitled” : some inital ideas on the importance of studying the non-performative events of performing artists’ lives.
Presented:Performance Studies International (PSI)-13, NYU's Skirball Center, November 2007
as part of the Stretching Interruption's Limits Through Ethnographies of Art, Dance and Theater panel

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